A window into my colorfields, personal approach and feelings on them.
It all began around 2016 that I became enthralled with Rothko’s paintings after coming across untitled no.5/no.22. Something about that painting just screamed at me and pulled me into his world of clouds of color. I began to look him up online, buy some books on him, his writing effort and do research on him. A few months later I had a project in one of my college art classes that required us to research and present on an artist we admired. In my studies I found how tormented and conflicted he felt about his art, reputation and recognition. In this I felt/feel a connection.
Many people see Rothko as an abstractionist and it is important to know that he denied being this wholeheartedly;
“I’m not interested in relationships of color or form or anything else. I’m interested only in expressing basic human emotions — tragedy, ecstasy, doom, and so on — and the fact that lots of people break down and cry when confronted with my pictures shows that I communicate those basic human emotions… The people who weep before my pictures are having the same religious experience I had when I painted them. And if you, as you say, are moved only by their color relationships, then you miss the point!”
- Mark Rothko, Impromptu interview at The Whitney Museum Annual.
While I admire this about Rothko, my approach to the colorfields is quite different in many regards. I do care about color relationships, I do care about form and composition and I do care about delivering a specific emotion through the painting. While Rothko speaks of expressing basic human emotions in a generalized fashion my colorfields are personal and specific to me. They convey my emotions, experiences, relationships, memories, depictions of others and self through the use of colors, forms and use of space. For example, I often feel anxious and for lack of better words I will list a few that help convey a feeling a feel constantly; tight, tense, on edge. While I don’t show this clearly, because I’ve had how many fucking years to learn to cope in my own ways, I’m often feeling like my head is going to burst with all the trains of thought going on at once. I show this visually with always using many forms to fill the canvas with the forms close to each other and edges with little to no room between them to show tension, the visual representation of being cramped for space but still managing to make it work. The colors are symbolic of my feelings on my self, others or memories. The colors range because my emotions range, it’s a spectrum and I’ve fallen on every point of it. Keep in mind color connection/meaning is different amongst all. Everyone has different connotations with different colors that are formed throughout time, experiences and others so remember what you feel when viewing my paintings is specific to you and what you make of it, the only way to know my thoughts and explanation of any colorfield is to ask me. Please do, I’m happy to share and crave to hear what you feel and what goes through your mind when immersing yourself into my colorfield paintings.
One of the latest colorfield pairs I made are based on a past relationship and I; at first glance the two colorfields seem like complete opposites but when you look closer you can see that they are just slightly off of being perfect opposites/complementary of each other. So close and similar but not a perfect match, the goal is to show that we weren’t a perfect match because we weren’t perfect opposites. This is just a depiction, a snap shot caught in colors and forms of two individuals in relation to each other seen through my eyes, my perspective. I’m valid and wrong at the same time and I’m aware of that.
Anyways, maybe after reading this go check out the colorfields tab and view that collection of work in a new light.